86 bars of 4/4 at a walking 100 BPM, 3:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-28, 37-39 and 45-47, and 1 more place -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 4, 12, 20, 24, 25, 26 and 21 more.
11 more fills are written out on the fills page.
86 bars across 10 sections: 36 keep time, 27 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 70-77.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
86 bars, about 3:26 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 4, 12, 20, 24, 25, 26 and 21 more.