155 bars of 4/4 at 151 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42-47, 50-54 and 82-85, and 5 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 100, 101, 114, 115, 119, 125 and 2 more.
2 more fills are written out on the fills page.
155 bars across 17 sections: 109 keep time, 8 are fills, 11 are stops and 6 are silent. The longest unbroken stretch of time is bars 43-56.
151 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
155 bars, about 4:06 at the written tempo. The course breaks it into 55 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 100, 101, 114, 115, 119, 125 and 2 more.