62 bars of 4/4 at 123 BPM, about 1:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-47 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 16 times: bars 2, 6, 7, 8, 12, 13 and 10 more.
62 bars across 5 sections: 31 keep time, 16 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 25-37.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
62 bars, about 1:55 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 16 times: bars 2, 6, 7, 8, 12, 13 and 10 more.