178 bars of 4/4 at 130 BPM, about 5:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 44, 46 and 48, and 28 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 24, 42, 58, 66, 92, 100 and 9 more.
4 more fills are written out on the fills page.
178 bars across 19 sections: 125 keep time, 17 are fills, 9 are stops and 7 are silent. The longest unbroken stretch of time is bars 31-41.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
178 bars, about 5:29 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 24, 42, 58, 66, 92, 100 and 9 more.