127 bars of 4/4 at a walking 88 BPM, 5:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 43 and 45, and 14 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 14, 18, 19, 20, 21, 22 and 15 more.
8 more fills are written out on the fills page.
127 bars across 13 sections: 68 keep time, 21 are fills, 12 are stops and 14 are silent. The longest unbroken stretch of time is bars 26-34.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 42 out of 100; the rest of the number is everything around it.
127 bars, about 5:45 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 14, 18, 19, 20, 21, 22 and 15 more.