192 bars of 4/4 at 150 BPM, about 4:48 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-35, 38-39 and 67, and 12 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 11, 12, 65, 101, 139, 141 and 8 more.
5 more fills are written out on the fills page.
192 bars across 22 sections: 140 keep time, 14 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 80-93.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
192 bars, about 4:48 at the written tempo. The course breaks it into 83 exercises over 26 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 11, 12, 65, 101, 139, 141 and 8 more.