111 bars of 4/4 at 124 BPM, about 3:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-29, 31-34 and 65-68, and 2 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 23 times: bars 1, 23, 24, 25, 30, 35 and 17 more.
10 more fills are written out on the fills page.
111 bars across 13 sections: 61 keep time, 23 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 37-43.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
111 bars, about 3:34 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 1, 23, 24, 25, 30, 35 and 17 more.