116 bars of 4/4 at 130 BPM, about 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-35, 38-39 and 62-63, and 1 more place -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 13, 17, 21, 25, 26, 27 and 18 more.
6 more fills are written out on the fills page.
116 bars across 13 sections: 48 keep time, 24 are fills, 6 are stops and 26 are silent. The longest unbroken stretch of time is bars 101-108.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
116 bars, about 3:35 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 13, 17, 21, 25, 26, 27 and 18 more.