195 bars, 13:34, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 18-27, 45-51 and 61-70, and 1 more place -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 22 times: bars 1, 17, 44, 56, 60, 79 and 16 more.
2 more fills are written out on the fills page.
199 bars across 30 sections: 124 keep time, 22 are fills, 10 are stops and 25 are silent. The longest unbroken stretch of time is bars 171-186.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
195 bars, about 13:34 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 22 times: bars 1, 17, 44, 56, 60, 79 and 16 more.