118 bars at 200 BPM -- fast, and 2:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 101-115 -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 2, 29, 30, 33, 34, 45 and 4 more.
3 more fills are written out on the fills page.
124 bars across 12 sections: 77 keep time, 10 are fills, 2 are stops and 20 are silent. The longest unbroken stretch of time is bars 101-115.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
118 bars, about 2:25 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 2, 29, 30, 33, 34, 45 and 4 more.