86 bars of 4/4 at a walking 100 BPM, 3:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-37, 39-44 and 49, and 3 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 5, 9, 13, 17, 20, 21 and 12 more.
5 more fills are written out on the fills page.
86 bars across 9 sections: 52 keep time, 18 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 30-37.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
86 bars, about 3:20 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 5, 9, 13, 17, 20, 21 and 12 more.