208 bars of 4/4 at 128 BPM, about 6:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-34, 36-38 and 69-70, and 8 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 191 and 203.
208 bars across 15 sections: 173 keep time, 3 are fills and 11 are stops. The longest unbroken stretch of time is bars 147-171.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
208 bars, about 6:28 at the written tempo. The course breaks it into 55 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 191 and 203.