275 bars of 6/4 -- not four -- at 132 BPM, 12:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54-55, 58-59 and 62-63, and 5 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 24, 37, 45, 53, 57, 61 and 10 more.
7 more fills are written out on the fills page.
275 bars across 20 sections: 135 keep time, 16 are fills, 6 are stops and 97 are silent. The longest unbroken stretch of time is bars 100-113.
132 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
275 bars, about 12:27 at the written tempo. The course breaks it into 56 exercises over 12 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 24, 37, 45, 53, 57, 61 and 10 more.