118 bars of 4/4 at 128 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 8-10 and 12-14, and 4 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 14 times: bars 7, 11, 24, 32, 40, 58 and 8 more.
7 more fills are written out on the fills page.
118 bars across 12 sections: 79 keep time, 14 are fills, 3 are stops and 12 are silent. The longest unbroken stretch of time is bars 41-50.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
118 bars, about 3:41 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 7, 11, 24, 32, 40, 58 and 8 more.