70 bars of 4/4 at a walking 82 BPM, 3:23 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 17-19 and 21-23, and 1 more place -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 26 times: bars 12, 16, 20, 28, 32, 37 and 20 more.
5 more fills are written out on the fills page.
70 bars across 7 sections: 31 keep time, 26 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 2-9.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
70 bars, about 3:23 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 12, 16, 20, 28, 32, 37 and 20 more.