167 bars of 4/4 at 152 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 18 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 31 times: bars 12, 19, 20, 23, 27, 29 and 25 more.
6 more fills are written out on the fills page.
167 bars across 20 sections: 94 keep time, 31 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 156-167.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
167 bars, about 4:24 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 12, 19, 20, 23, 27, 29 and 25 more.