225 bars of 5/4 -- not four -- at 98 BPM, 8:23 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 60-67, 83-86 and 139-143 -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 73, 77, 80, 81, 91, 92 and 22 more.
11 more fills are written out on the fills page.
225 bars across 27 sections: 153 keep time, 28 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 19-34.
98 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
225 bars, about 8:23 at the written tempo. The course breaks it into 89 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 73, 77, 80, 81, 91, 92 and 22 more.