538 bars of 4/4 at a walking 100 BPM, 21:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-31, 34-36 and 39-43, and 24 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
40 fills to learn, played 73 times: bars 14, 15, 16, 17, 18, 19 and 67 more.
36 more fills are written out on the fills page.
538 bars across 49 sections: 223 keep time, 73 are fills, 152 are stops and 47 are silent. The longest unbroken stretch of time is bars 117-143.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
538 bars, about 21:25 at the written tempo. The course breaks it into 163 exercises over 48 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
40 fills to learn, played 73 times: bars 14, 15, 16, 17, 18, 19 and 67 more.