358 bars of 4/4 at a walking 88 BPM, 14:49 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-50, 56-66 and 72-75, and 3 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 56 times: bars 6, 8, 29, 31, 33, 35 and 50 more.
11 more fills are written out on the fills page.
358 bars across 29 sections: 166 keep time, 60 are fills and 97 are stops. The longest unbroken stretch of time is bars 294-306.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
358 bars, about 14:49 at the written tempo. The course breaks it into 90 exercises over 21 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 56 times: bars 6, 8, 29, 31, 33, 35 and 50 more.