215 bars of 3/4 -- not four -- at 184 BPM, 3:30 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 41 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 17, 33, 64, 65, 81, 97 and 7 more.
1 more fill is written out on the fills page.
215 bars across 18 sections: 87 keep time, 13 are fills, 88 are stops and 14 are silent. The longest unbroken stretch of time is bars 19-30.
184 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
215 bars, about 3:30 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 17, 33, 64, 65, 81, 97 and 7 more.