337 bars of 4/4 at 150 BPM, about 8:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 72-73, 76-77 and 80-81, and 11 more places -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 56 times: bars 1, 2, 3, 4, 5, 6 and 50 more.
27 more fills are written out on the fills page.
337 bars across 21 sections: 167 keep time, 58 are fills, 31 are stops and 63 are silent. The longest unbroken stretch of time is bars 142-158.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
337 bars, about 8:59 at the written tempo. The course breaks it into 86 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 56 times: bars 1, 2, 3, 4, 5, 6 and 50 more.