83 bars of 4/4 at a walking 100 BPM, 3:19 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-4, 7-14 and 25-32 -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 8 times: bars 15, 16, 33, 34, 71, 72 and 2 more.
83 bars across 11 sections: 62 keep time, 8 are fills and 2 are silent. The longest unbroken stretch of time is bars 44-54.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
83 bars, about 3:19 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 15, 16, 33, 34, 71, 72 and 2 more.