597 bars of 4/4 at 114 BPM, about 20:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 80, 82 and 84, and 28 more places -- 6.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 96 times: bars 50, 54, 59, 67, 71, 79 and 90 more.
20 more fills are written out on the fills page.
597 bars across 42 sections: 436 keep time, 96 are fills, 6 are stops and 9 are silent. The longest unbroken stretch of time is bars 10-49.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
597 bars, about 20:28 at the written tempo. The course breaks it into 136 exercises over 36 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 96 times: bars 50, 54, 59, 67, 71, 79 and 90 more.