100 bars of 4/4 at 112 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-14, 38 and 40-42, and 4 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 19 times: bars 1, 2, 3, 5, 6, 15 and 13 more.
10 more fills are written out on the fills page.
100 bars across 11 sections: 23 keep time, 20 are fills, 47 are stops and 7 are silent.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 25 out of 100; the rest of the number is everything around it.
100 bars, about 3:33 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 19 times: bars 1, 2, 3, 5, 6, 15 and 13 more.