110 bars at 160 BPM -- fast, and 2:41 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 14 and 18, and 8 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 2, 4, 17, 38, 39, 40 and 14 more.
7 more fills are written out on the fills page.
110 bars across 15 sections: 50 keep time, 20 are fills, 26 are stops and 5 are silent. The longest unbroken stretch of time is bars 70-77.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
110 bars, about 2:41 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 2, 4, 17, 38, 39, 40 and 14 more.