102 bars of 4/4 at 115 BPM, about 3:31 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-26, 29-30 and 54-57, and 11 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 19 times: bars 2, 3, 4, 5, 6, 20 and 13 more.
3 more fills are written out on the fills page.
102 bars across 8 sections: 63 keep time, 19 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 41-52.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
102 bars, about 3:31 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 2, 3, 4, 5, 6, 20 and 13 more.