137 bars of 3/4 -- not four -- at 152 BPM, 2:51 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56, 58 and 60, and 6 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 28, 57, 61, 73, 110, 111 and 7 more.
5 more fills are written out on the fills page.
137 bars across 8 sections: 73 keep time, 15 are fills and 41 are stops. The longest unbroken stretch of time is bars 115-128.
152 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
137 bars, about 2:51 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 28, 57, 61, 73, 110, 111 and 7 more.