122 bars of 4/4 at 134 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 25-29 and 31, and 11 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 24, 32, 56, 72, 73, 74 and 6 more.
2 more fills are written out on the fills page.
122 bars across 16 sections: 86 keep time, 12 are fills and 7 are silent. The longest unbroken stretch of time is bars 1-10.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
122 bars, about 3:39 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 24, 32, 56, 72, 73, 74 and 6 more.