162 bars of 4/4 at 112 BPM, about 5:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-24, 26-28 and 30-32, and 6 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 41, 45, 48, 49, 53, 57 and 8 more.
4 more fills are written out on the fills page.
162 bars across 16 sections: 98 keep time, 14 are fills, 4 are stops and 34 are silent. The longest unbroken stretch of time is bars 18-32.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
162 bars, about 5:47 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 41, 45, 48, 49, 53, 57 and 8 more.