169 bars of 4/4 at 142 BPM, about 4:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 17, and 12 more places -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
169 bars across 8 sections: 130 keep time, 1 is a stop and 26 are silent. The longest unbroken stretch of time is bars 138-168.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
169 bars, about 4:46 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.