195 bars of 4/4 at a walking 78 BPM, 11:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 61-68 and 86-89 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 32 times: bars 3, 4, 11, 12, 19, 28 and 26 more.
8 more fills are written out on the fills page.
195 bars across 20 sections: 90 keep time, 32 are fills, 7 are stops and 50 are silent. The longest unbroken stretch of time is bars 70-84.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
195 bars, about 11:13 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 3, 4, 11, 12, 19, 28 and 26 more.