130 bars of 4/4 at a walking 100 BPM, 4:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 55-58, 66-69 and 102-105 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 29, 30, 45, 46, 47, 48 and 14 more.
4 more fills are written out on the fills page.
137 bars across 21 sections: 81 keep time, 20 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-20.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 84 out of 100; the rest of the number is everything around it.
130 bars, about 4:58 at the written tempo. The course breaks it into 61 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 29, 30, 45, 46, 47, 48 and 14 more.