100 bars of 4/4 at 128 BPM, about 3:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 7-8 and 11-16, and 8 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 17 times: bars 1, 5, 9, 17, 21, 25 and 11 more.
4 more fills are written out on the fills page.
100 bars across 4 sections: 75 keep time, 17 are fills and 3 are stops. The longest unbroken stretch of time is bars 50-60.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
100 bars, about 3:07 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 1, 5, 9, 17, 21, 25 and 11 more.