170 bars of 4/4 at a walking 103 BPM, 6:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 102-108 and 110-116 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 13, 25, 65, 67, 68, 69 and 1 more.
170 bars across 14 sections: 80 keep time, 7 are fills, 24 are stops and 51 are silent. The longest unbroken stretch of time is bars 102-118.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
170 bars, about 6:36 at the written tempo. The course breaks it into 35 exercises over 13 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 13, 25, 65, 67, 68, 69 and 1 more.