144 bars at 170 BPM -- fast, and 3:23 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-36, 39 and 49-51, and 6 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 24 times: bars 8, 12, 16, 24, 28, 32 and 18 more.
6 more fills are written out on the fills page.
144 bars across 16 sections: 62 keep time, 24 are fills, 32 are stops and 10 are silent. The longest unbroken stretch of time is bars 89-95.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
144 bars, about 3:23 at the written tempo. The course breaks it into 47 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 8, 12, 16, 24, 28, 32 and 18 more.