146 bars, 9:44, at 60 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 21, 27 and 53, and 1 more place -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 53 times: bars 8, 15, 16, 24, 30, 34 and 47 more.
4 more fills are written out on the fills page.
146 bars across 12 sections: 75 keep time and 53 are fills. The longest unbroken stretch of time is bars 115-132.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 50 out of 100; the rest of the number is everything around it.
146 bars, about 9:44 at the written tempo. The course breaks it into 47 exercises over 19 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 53 times: bars 8, 15, 16, 24, 30, 34 and 47 more.