136 bars of 4/4 at 150 BPM, about 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 29, and 13 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 28 times: bars 8, 10, 11, 12, 13, 14 and 22 more.
2 more fills are written out on the fills page.
136 bars across 9 sections: 63 keep time, 28 are fills, 17 are stops and 24 are silent. The longest unbroken stretch of time is bars 43-58.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
136 bars, about 3:38 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 28 times: bars 8, 10, 11, 12, 13, 14 and 22 more.