151 bars of 5/4 -- not four -- at 110 BPM, 7:15 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 60, 62 and 64, and 5 more places -- 8.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 29 times: bars 18, 52, 53, 54, 55, 56 and 23 more.
10 more fills are written out on the fills page.
151 bars across 15 sections: 52 keep time, 29 are fills, 2 are stops and 56 are silent. The longest unbroken stretch of time is bars 27-40.
110 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
151 bars, about 7:15 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 29 times: bars 18, 52, 53, 54, 55, 56 and 23 more.