The beat the song is built on is a 2-bar phrase, played through bars 26-32, 43-48 and 79-85, and 1 more place -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, snare, mid tom and kick, counted in thirty-second notes. On its own it scores 61 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 88 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 98 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 98, 115, 133 and 150 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, snare, mid tom and kick, in 4/4 at 150 BPM, counted in thirty-second notes. It is written out above, and it covers 19.7% of the bars the kit plays.
Bars 26-32, 43-48, 79-85 and 125-130. The time is kept on the silence to start with, and it changes 18 times over the song.
61 out of 100 on its own -- a step up. The song as a whole is 88 out of 100. Hard, and what makes it hard is how many notes a second it asks for.