135 bars of 4/4 at 150 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-32, 43-48 and 79-85, and 1 more place -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 2, 4, 5, 10, 12, 50 and 21 more.
8 more fills are written out on the fills page.
135 bars across 15 sections: 82 keep time, 27 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 26-47.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
88 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 61 out of 100; the rest of the number is everything around it.
135 bars, about 3:34 at the written tempo. The course breaks it into 60 exercises over 23 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 2, 4, 5, 10, 12, 50 and 21 more.