111 bars of 4/4 at 137 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-22, 25-26 and 41-43, and 3 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 16, 20, 32, 36, 45, 46 and 16 more.
6 more fills are written out on the fills page.
111 bars across 15 sections: 62 keep time, 22 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 4-10.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
111 bars, about 3:14 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 16, 20, 32, 36, 45, 46 and 16 more.