131 bars of 4/4 at 114 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 23 and 39, and 3 more places -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 80 times: bars 2, 4, 5, 6, 7, 8 and 74 more.
16 more fills are written out on the fills page.
131 bars across 14 sections: 36 keep time, 80 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 38-41.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
131 bars, about 4:36 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 80 times: bars 2, 4, 5, 6, 7, 8 and 74 more.