125 bars of 4/4 at 120 BPM, about 4:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 17-19 and 73, and 5 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 12, 24, 26, 28, 30, 32 and 29 more.
13 more fills are written out on the fills page.
125 bars across 17 sections: 52 keep time, 35 are fills, 11 are stops and 6 are silent. The longest unbroken stretch of time is bars 74-83.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
125 bars, about 4:10 at the written tempo. The course breaks it into 55 exercises over 22 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 12, 24, 26, 28, 30, 32 and 29 more.