217 bars of 3/4 -- not four -- at 82 BPM, 8:20 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-6, 9-14 and 49-54 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 87 times: bars 7, 8, 15, 16, 28, 36 and 81 more.
24 more fills are written out on the fills page.
217 bars across 21 sections: 103 keep time, 87 are fills and 1 is a stop. The longest unbroken stretch of time is bars 18-27.
82 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 46 out of 100; the rest of the number is everything around it.
217 bars, about 8:20 at the written tempo. The course breaks it into 109 exercises over 37 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 87 times: bars 7, 8, 15, 16, 28, 36 and 81 more.