101 bars of 4/4 at a walking 91 BPM, 4:42 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-23, 37-39 and 41-43, and 2 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 9, 13, 16, 24, 32, 33 and 20 more.
6 more fills are written out on the fills page.
101 bars across 15 sections: 50 keep time, 26 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 62-68.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
101 bars, about 4:42 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 9, 13, 16, 24, 32, 33 and 20 more.