120 bars at 228 BPM -- fast, and 2:35 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-16 -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 17, 52, 57, 64, 74, 75 and 3 more.
1 more fill is written out on the fills page.
120 bars across 11 sections: 71 keep time, 9 are fills, 3 are stops and 29 are silent. The longest unbroken stretch of time is bars 1-16.
228 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
120 bars, about 2:35 at the written tempo. The course breaks it into 36 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 17, 52, 57, 64, 74, 75 and 3 more.