391 bars of 3/4 -- not four -- at 145 BPM, 8:26 of playing on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 87-115, 200-258 and 260 -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 26 times: bars 37, 53, 69, 85, 116, 117 and 20 more.
5 more fills are written out on the fills page.
391 bars across 20 sections: 277 keep time, 26 are fills, 17 are stops and 51 are silent. The longest unbroken stretch of time is bars 200-258.
145 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 44 out of 100; the rest of the number is everything around it.
391 bars, about 8:26 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 37, 53, 69, 85, 116, 117 and 20 more.