132 bars of 6/4 -- not four -- at 80 BPM, 9:52 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-20, 23-28 and 31-34, and 7 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 31 times: bars 1, 3, 5, 7, 9, 10 and 25 more.
7 more fills are written out on the fills page.
132 bars across 10 sections: 51 keep time, 31 are fills and 44 are silent. The longest unbroken stretch of time is bars 78-86.
80 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
132 bars, about 9:52 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 31 times: bars 1, 3, 5, 7, 9, 10 and 25 more.