133 bars, 7:22, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 106-108, 110-112 and 114-116, and 1 more place -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 2, 5, 6, 8, 18, 20 and 15 more.
10 more fills are written out on the fills page.
133 bars across 13 sections: 80 keep time, 21 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 110-120.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 55 out of 100; the rest of the number is everything around it.
133 bars, about 7:22 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 2, 5, 6, 8, 18, 20 and 15 more.