38 bars at 180 BPM -- fast, and 0:49 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-13 -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 15, 16, 17, 18, 19, 20 and 5 more.
1 more fill is written out on the fills page.
38 bars across 3 sections: 11 keep time, 11 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 5-8.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
38 bars, about 0:49 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 15, 16, 17, 18, 19, 20 and 5 more.